Videas keeps the footage, the edits and the files of every project in one workspace, open to whoever you decide.
You run a studio, and video never stops moving: shoots that overlap, editors working from home, clients waiting on a version. Videas gathers the footage, the edits and the files of a project in one place, opens a workspace for each client, and keeps all of it readable once the project is over.
From a Videas account, a single file can reach 100 GB and comes out untouched. Your client opens it in a browser, with no account to create and no wait for a download to finish.
Videas keeps the master, the footage, the script, the artwork and the exports of a project together, sorted into collections and indexed by their metadata. A version turns up in a search, not on a shelf of drives.
Once the client is served, the project stays with you: Videas holds the catalog of everything your studio has produced, ready to pull back out for a rework or for the next pitch.
From an account, Videas takes files of up to 100 GB and recompresses nothing. Your client watches in a browser, without downloading anything.
The Videas player runs no advertising, suggests no other video at the end and puts no banner of ours on what you send. Your clients see your brand.
In Videas you set the expiry date, extend it in one click when sign-off drags on, or decide the link never goes dark at all.
Videas indexes every file by its metadata: a client, a format or a version comes back through search, without opening a cupboard full of drives.
20 TBof raw footage, edits and photographs on a single platform
Télégohelle, the local television channel of the Lens-Liévin urban district, produces reports all year round. Its content is sorted into collections — by type, by year, by theme — and its teams send the press a temporary link to one specific excerpt, without opening the rest of the library.
4,000 hof shows and video podcasts produced across ten years
Online media outlet BTLV pulled its whole catalog off Vimeo, where the bill climbed with the audience, and now serves it to subscribers from its own WordPress site.
24/7of tutorials opened one client at a time, one contract at a time
Aerospace manufacturer Safran Nacelles files its maintenance tutorials by aircraft model and only opens them to the airlines whose service contract covers them.
Your client opens the link in a browser: no account to create, no application to install, and playback starts without waiting for several gigabytes to come down first. The Videas player carries your colors and, if you want it to, your own domain name; it runs no advertising, suggests no other video at the end and puts no banner of ours on the page. You decide along the way whether the file can be downloaded or only watched, and the link opens only what you put in it — one excerpt, one version, one project, never the rest of your library. You then see who opened the share, when, and how many times.
In Videas, every client gets a workspace of its own: its projects, its folders, its members and its rights. Your editors drop their exports in without seeing the other accounts, your client finds only what concerns them, and a role — admin, manager or viewer — decides who can add, who can edit and who only watches. The files are hosted in France, under GDPR, and they are never analyzed, never indexed and never used to train a model.
Videas does not run the sign-off on an edit: no frame-accurate comments, no versioned round of notes. It does not cut your videos either. You edit and get sign-off in your own tools, then file, host and publish with us.
€0.20
per hour of video stored, every month
€0.05
per gigabyte of project files, audio and stills
€0
to migrate your catalog from Vimeo or a Drive
There is no subscription: you draw on a prepaid credit wallet, topped up whenever you decide. Video is counted by the hour and everything else by the gigabyte: two hundred hours of rushes and cuts come to €40 a month, five hundred gigabytes of project files, audio and stills to €25 — €65 in all. On top of that you pay for what your clients actually watch, at €0.02 per gigabyte delivered, with the first terabyte free every month.
Your solution is top quality, your team is responsive and attentive, and the results amply exceed our expectations. We hope to work with you for a long time to come, as you contribute to our success.
You upload a file once: it is stored, encoded and served over a CDN, then picked up as is by the channel, the page or the player. What Stream records comes back into the library. Nothing to wire together.
Centralize, organize and share your media from an ergonomic and secure space.
Broadcast your videos as internal or public channels, with replays and playlists.
Create product presentations, landing pages or event pages.
Generate multilingual subtitles and improve the accessibility of your content.
A professional, fast and customizable video player, GDPR compliant.
Track plays, engagement and retention to understand what captivates your audience.
Yes, as many as you have clients. In Videas every workspace has its own folders, members and rights: your editors drop files into the one for the project, your client sees only their own. A role — admin, manager or viewer — decides who adds, who edits and who simply watches.
From a Videas account, up to 100 GB per file, with no recompression at all: the master arrives exactly as it left your edit suite. Without an account the ceiling drops to 2 GB and ten minutes of video, and it shows before the upload rather than twenty minutes into the transfer.
No. They click your link and the video starts in their browser, with no account to create and no application to install. Playback begins straight away: they do not wait for several gigabytes to download before seeing the first frame of your edit.
That is up to you. From a Videas account you set the expiry date, extend it in one click when sign-off drags on, or leave the link active indefinitely. Without an account a share lives seven days at most, after which the file and its link are erased automatically.
Yes, and four settings stack. View-only blocks downloading and still lets the video be watched as a stream. Add a password, a download cap beyond which the link closes, and, for a share sent by email, a verification code the recipient has to enter before it opens.
No, and that is a rule rather than a box to untick. The Videas player runs no advertising, suggests no other video at the end and puts no banner of ours on the pages you send out. It carries your colors, your logo and, if you want it to, your own domain name.
No. Videas has no frame-accurate comments on a timeline, no versioned round of notes and no panel inside Premiere; on review alone, Frame.io does it better. Nothing stops you keeping both: sign-off over there, then hosting, archiving and publishing here, on the same files.
Yes. Videas transcribes and subtitles with AI in a few minutes, at €0.10 per minute and per language, and you correct the text in an editor that shows the waveform and the segments. The subtitle stays attached to the video: there is no SRT file to export and reimport elsewhere.
Yes, that is what the media library is for. Every file carries its metadata — client, project, format, date, keywords — and search cuts across all of it. You pull a version, a shot or an export back out for a rework or for a new pitch, without plugging in an old hard drive.
In France, with French hosting providers, under GDPR. Your files are never analyzed, never indexed and never used to train a model, and the player sets no advertising cookies. Our team also moves an existing catalog across from Vimeo, YouTube, a Drive, Dropbox or OneDrive at no charge.
